![]() ![]() These natural notes are always hanging out right next to each other. You will start to realize that across the entire fretboard that B to C and E to F are only a half step away. Every time we move from B to C, or E to F, we are only going a half step or one fret. Octave shapes give you a framework when learning scale patterns. Going from C to D, D to E, or F to G are all whole steps. For memorizing the guitar fretboard they will help you to locate notes effortlessly from frets where you can already name the notes (normally string 6 (E) and 5 (A) which you learn first to correctly place all those barre chords and power chords). Reading tabs is a relatively simple thing to do, as long as youve got a. For example, moving from A to B is two frets, or a whole step. The numbers still represent your frets(notes), but youll be playing them all at once. You'll notice that every horizontal note movement on this scale is a whole step, EXCEPT when it is B to C, or E to F. This scale is made of all natural tones, just A-B-C-D-E-F-G-A. Taking the keys of C, F, Bb, and Eb, practice playing all of the inversions of the minor triad on 3, 2, 1, working your way up and down the fretboard. ![]() We are going to cover the theory behind the Perfect 4th and Major 3rd intervals. If you've begun to practice your scales, you're probably familiar with A Natural Minor scale.īy looking at the guitar note chart below, we have only provided the notes from A Natural Minor scale, off the 6th string, identified by column 6. The root note is A, which we have made those notes blue. How do I memorize the notes horizontally?įirst, let's focus on the memorizing the guitar notes on the fretboard horizontally.
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